Ryan Redwood fires into his next chapter with his new single ‘Forever’, out 5 December. He comes from the Norfolk and Suffolk border, and he has spent the past few years carving out a name through steady touring, upbeat sets, and a growing reputation for tight indie songwriting. His rise includes BBC Introducing Norfolk and Suffolk Track of the Week for ‘Once Again’, a packed headline show at The Seagull Theatre in Lowestoft, and support slots with Twin Atlantic, Reverend and the Makers, Corella, Joel Stoker, and CUSP. Each step has added fresh momentum.
Ryan describes ‘Forever’ as his boldest track so far, and that intent sits at the centre of the song. It captures the restless feeling that hits when every day starts to look the same. Tight drums build pace, gritty bass lines keep the ground firm, and sharp guitars lift the track with force. The whole piece rushes forward with the same energy that pushes you toward change when you reach your limit.
A track built for movement and late-night crowds
Ryan knows how to write with focus, and the single reflects that strength. He keeps each line short and direct, which gives the track a punchy rhythm. The production adds drive without crowding his voice, and the parts move with purpose. As a result, the track feels built for loud rooms, quick reactions, and audiences who want that instant spark.
His recent shows have helped shape this direction. Crowds across the UK respond to the honesty in his lyrics and the lift in his arrangements. Because of that connection, he continues to find new rooms and new listeners. ‘Forever’ arrives at the right time, and the track pushes toward a sound that feels bigger and brighter than before.
Ryan steps into this new release with confidence. He has the momentum of recent shows, a growing fanbase, and a song that captures the tension of breaking out of old cycles. ‘Forever’ sets the tone for the next phase of his work and places his voice right at the front.
You can follow Ryan Redwood over on Instagram and pre-save ‘Forever’ here.
Photo Credit: Charlotte Bennett.
