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No need for stabilisers. pushbike are here to hate.
Flora Fiora sounds ready for bigger rooms on In No Particular Order
Heidi Curtis calls up her courage on ‘Summon’
‘London’ finds Poesie listening for something wild in the city
George Bone opens The Yes Man with room to breathe
Alex Apolline wants the whole feeling on THE SUN FROM BOTH SIDES
DENYM on losing the ego, sharing the spotlight and becoming a band
Misery loves a decent chorus. The Cases need an alibi.
Florence Jack makes self-rescue sparkle on ‘Save Me Now’
Evie Moran makes ‘More Than You Could Know’ glow with quiet warmth
Samira Manners turns hurt into bite on ‘erase me, replace me!’
Somebody has to be in the room
Urbia is crumbling. The Molotovs aren’t
Music cannot hide behind neutrality when Palestine is the price
Synths are a bitter pill for Shopkeeper
The revolution will not be streamed! – Fatale beatify ‘Saint Mungo’
A return to the three ‘R’s – The Sundays revisit their debut
Revivalry @ The Frog and Parrot, Sheffield
Five Scottish acts better than The Proclaimers, and none of them need to punch down at trans people
Emily Volt cuts through the noise on ‘Propaganda Song’
Zoee leans into bad decisions on new single ‘HABIT’
Taylor Mitchell finds warmth and frustration on ‘Tell Me All About Yourself’
Bunny Alex finds calm by the water on ‘The Ocean’
Zoe Unsworth packs six shades of country into Old Time Soul
Natalie McCool makes the album of her life with Good For The Soul
Stella Lain has no time for mixed signals on ‘The Meaning Of Love’
Gabriella Cilmi revisits heartbreak on new single ‘Pieces’
Tamara Hendin turns career envy and teenage frustration into debut EP Festival
Natalie Imbruglia takes control on Algorithm and shares ‘Beautiful Love’
Corin catches the last light of summer on ‘Apple Cider’
Sarah Louise stops shrinking herself on ‘Different Kind of Girl’
Angel Wong gives the dumper’s side a dancefloor pulse on ‘Know That’
Rianne Downey shows quiet power on The Consequence of Love
Alex Amor finds the human heart inside Heavenly Bodies
A Practical UK Guide for Independent Musicians: Promotion, Press, Merch and Mental Health
Grown Up Girl Regrets confirms Lily Moore is ready for much bigger rooms
Amelie Roden pulls apart family expectations on ‘megan’
Natalie McCool lets the shadows in on ‘So Lonely, Lonely’
Put the record on: why physical music still feels magical
Georgia Alexandra lets growing up remain beautifully unfinished on God I Think I’ve Grown Out Of It, God I Think I’ve Grown Up