By Colin 
Norah Jones made her debut in 2002 with the multi-million-selling Come Away With Me, a record that introduced the world to her smoky vocals and understated blend of jazz and pop. Her follow-up, Feels Like Home, leaned further into country influences and, while successful, didn’t quite capture the same critical enthusiasm. With her third album Not Too Late, released in 2007, she steps further into the creative process, taking full control of the songwriting for the first time.
That shift suggests an opportunity for growth, but the result is more familiar than fresh. Listeners will find the hallmarks of a Norah Jones record throughout: delicate instrumentation, a mellow pace, and those soft, wistful vocals that have become her signature. The difference here is largely behind the scenes. Jones wrote or co-wrote every track, many alongside her bassist and longtime collaborator Lee Alexander.
Although the lyrics hint at a younger, more introspective voice, the overall sound remains safely within the boundaries set by her earlier work. There’s a noticeable reluctance to challenge expectations, both vocally and musically. Even with her deeper involvement, Jones seems determined to deliver what she knows her audience already enjoys. The result is an album that’s undeniably polished but rarely adventurous.
There are, however, moments that shine. ‘Wish I Could’ carries an emotional pull that stands out, with a subtle intensity that hints at greater depth. ‘Broken’ is another highlight, capturing Jones at her most whimsical and understated. These tracks prove she’s capable of original expression when she allows herself to stray from the formula.
Familiar comforts, missed opportunities
Elsewhere, the album settles into a gentle rhythm that borders on repetitive. It’s never unpleasant, but often feels like a missed opportunity for creative exploration. Both Jones and Alexander seem content to tread water, crafting songs that are smooth and charming but lacking the spark of real progression.
That said, there’s no denying the quality of Jones’s voice. Her vocal tone alone remains enough to elevate the material, setting her apart from her peers. Even on tracks that don’t leave a lasting impression, her delivery offers warmth and familiarity.
Not Too Late will satisfy long-time fans looking for another dose of that distinctive Norah Jones sound. It is a cohesive and competent record, but one that avoids risk at every turn. With commercial success all but guaranteed, one hopes that future releases might find her stepping further outside her comfort zone. For now, this album offers a soothing, if unsurprising, continuation of her career.
Colin