Vulnerable at first and increasingly forceful, ‘Haunt Me’ lets hurt and confusion spill into gritty guitars, hard-hitting drums and soaring…
July 2026
Written during her first heartbreak, Rosie Gault’s reimagined daydream lets youthful hope and present-day acceptance drift together.
Gabriella Cilmi sounds richer, sharper and more evocative on a smoky soul single about backing yourself and refusing to wait…
‘Blue Shadows’ continues The Avalanches’ busy return, pairing Karen O with a transformed sample and a question about repairing heartbreak.
Nina Protocol’s editorial work and genre map have found a new home, while its artists remain free to decide whether…
Charli XCX brings John Cale, Marc Jacobs and Martin Scorsese together for her new album, Music, Fashion, Film.
Angela Inkson’s rich vocal and an immediately memorable hook give ‘Lioness Heart’ warmth, weight and the intimacy of a message…
Rhinestones, stage energy and a vivid sense of self meet in the opening chapter of Stella Lain’s five-part EP, The…
‘Pipe Down’ finds Laura Beckwith done with dropping polite hints, turning one final warning into bright, confident country-pop.
Written during her first songwriting session, ‘set my heart on fire’ turns lingering hurt into polished pop with a sharp…
Angel Wong turns north-versus-south posturing into bright, witty pop-funk, with an infectious vocal and a hook that knows exactly when…
‘Vice Versa’ finds The Lathums turning uncertainty into something warm, immediate and quietly bruised, with Alex Moore leaning into the…
Roxanne de Bastion steps back into solo mode with ‘Simple Pleasures’, a distorted, hook-heavy burst of electro-rock that feels like…
A gorgeous vintage-soul groove draws you into ‘In Between’, but Lauren Mikki’s extraordinary vocals are what make falling for her…
Emily Volt’s songs turn raw feeling into sharp-edged rock theatre, where anger, trauma and self-acceptance all become part of the…
Bandcamp has confirmed 10 engineering roles have been cut, intensifying concern among independent artists who rely on the platform.
On ‘Aquamarine’, Alex Amor lets salt air, childhood memory and a soft Americana glow drift through a love song that…
On ‘We’re The Ones’, Natalie McCool turns youthful optimism into something bright, restless and knowingly temporary.
There is no soft landing here. Lucy Tay’s ‘The Hell I Do’ takes the familiar return-of-the-ex story and gives it…
Ronan Fae builds a glitchy, horror-tinged world around ‘Copycat’, using dark pop and alt-rock bite to explore masking, identity and…
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